Tony Lopez’s critical writings are published in two books:

Meaning Performance: Essays on Poetry, Cambridge: Salt, 2006;

The Poetry of W.S. Graham, Edinburgh: Edinburgh University Press, 1989.


Individual essays are also published in the following books and journals:

'Susan Howe's Visual Poetics', Etudes Anglaises, 61-2 (2008) 202-214

‘The White Room in the New York Schoolhouse’, in Steve Clark and Mark Ford (eds), Something We Have That They Don’t: British and American Poetic Relations since 1925, Iowa City: University of Iowa Press, 2004, 137-150.

‘Graham and the 1940s’, in Ralph Pite and Hester Jones (eds), W.S. Graham: Speaking Towards You, Liverpool: Liverpool University Press, 2004, 26-42

‘Powder on a Little Table: Ted Berrigamkn's Sonnets and 1960s Poems’, Journal of American Studies, 36 (2002) 281-292.

‘Poetry & Performance’, in Roberta Mock (ed), Performing Processes, Bristol: Intellect, 2000, 27-38.

‘Innovative Poetry in English’, in Isabel Soto (ed), A Place that is not a Place: Essays in Liminality and Text, Madrid: Gateway Press, 2000, 63-80.

‘Pound and Postmodern British Poets’, in Helen Dennis (ed) Ezra Pound and Poetic Influence, Amsterdam: Rodopi, 2000, 177-186.

‘Under Saxon the Stone: National Identity in the poetry of Basil Bunting’,Durham University Journal, Basil Bunting Special issue (1995) 114-122.

‘Sequential Meaning in Ezra Pound's Cathay’, in Richard Taylor and Claus Melchior (eds), Ezra Pound and Europe, Amsterdam: Rodopi, 1993, 207-213.

‘Thomas A. Clark, Nationality, Modernism’, Scottish Literary Journal, 20, 2 (1993) 75-85.

‘T.S. Eliot and W.S. Graham’, Scottish Literary Journal, 19, 1 (1992) 36-46.

‘W.S. Graham: An Introduction’, Edinburgh Review, 75 (1987) 7-23.

‘Reading W.S. Graham's Implements’, Swansea Review, 1 (1986) 57-76.

‘On Malcolm Mooney's Land by W.S. Graham’, Ideas and Production, 4 (1985) 47-70.